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Young Chicago Photographers' Show
Friday, October 16th 5pm-12am and Saturday Sept. 12th 9am-5pm then by appointment into November.

     The October show features four young and talented Chicago photographers. Christopher Sykora presents his personal photography and mixed media collages. Caitlin Stich exhibits an aethetic exploration of her parents' kitchen in Kitchen Series #3. Victor Yanez-Lazcano shows his stunning studies of Chicago's drawbridges, Over The River. Lauren Woods displays her 30"x40" c-prints of her childhood hometown; exploring themes of memory and idealization.
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Christopher Sykora

       Christopher Sykora is finishing his degree in art education and has had several gallery shows in Chicago.

       Of his work he says: As a future educator my aim is to teach students how to question the world around them, ask what the character of knowledge is, search for the nature of learning, attach meaning to experience and foster personal enlightenment. I have come to understand that the very purpose of education is to help individuals step outside of their own worldview, appreciate the problems that others face, see multiple perspectives, and develop their own solutions after weighing many factors. It has become quite apparent to me that my professional goals are extremely similar to my personal and artistic ones. Art for the sake of art, creating helps me feel human, brings connections that I might have otherwise overlooked, teaches me how to understand the environment surrounding me, and ultimately finding the dialogue within. These are the themes in my most recent works.

      While images impact my life, words serve as a movement or personal drive. For this reason, quotes hold much value in my actions. Among them are “The Journey is the Destination,” (Dan Eldon), and “Truth is an Event and only through experience can the veracity of a truth be realized,” (Smith). There is no absolute truth in my works, only images, ideas, and events. The content should be determined by the viewer’s own person truth to determine what it means. Art should be visually strong enough to stand on its own before any content can be attributed to it. Therefore, my wish is not to tell you anything about what these images mean to me, at the risk of putting up walls around your personal and visual experience, But to let you think for yourself, and draw your own conclusions.

      Working with a variety of materials, mostly acrylic paint and photo-collage, I react to photos and use it as my drive. Finding an order to the many thoughts and feelings that run through my brain, attempting to attach meaning, balance and cohesion, while staying aesthetically pleasing, and hopefully making sense of a dialogue within comes at a price. Often the process and result is chaotic, but every now and then an epiphany is grasped. How is it that the imagination distorts reality and vice-versa?

Christopher's work can be seen on his website: www.chrissykora.com
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Caitlin Stich

     Caitlin Stich is an artist  art educator. Of her work, Kitchen Series #3, she says:  Focusing on a specific element, shape or pattern in an object gives it an entirely new appearance.  Breaking these kitchen items down into simplified shapes it changes their visual message giving them a new identity. 

     Caitlin's work can be seen on her website: www.caitlinstichphotography.com



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Victor Yanez-Lazcano

     Victor graduated from Columbia College with a BFA in photography in 2008. While continuing to pursue his art he teaches an after school photography program for high school children in Pilesn.

     Victor's work, Over The River, is a series of the drawbridges that cross the Chicago river. Chicago has more drawbridges than any other city in the world, but some of them are falling into disuse and are being demolished.

Victor's work can be seen on his website: www.yanezlazcano.com
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Lauren Woods

     Shot with a 4"x5" view camera Lauren's work explores themes of the memory and idealization of her childhood hometown.

     Of her work she says: Directly preceding my teenage years, my parents moved our family from Milwaukee to a tiny homogenous town in Michigan. The longer I was away from Milwaukee, the more I idealized the childhood I once knew. Feeling stifled, and the usual aches of teenage angst, I convinced myself that my old neighborhood was my true home, a place of golden memories, a utopia that could not exist.

     I did not return to visit until college, and then it was with my camera. Walking on the snow-filled sidewalks in the quiet of a weekday afternoon, I did not know quite how to feel. The buildings looked old and I didn't recognize any of the people. Here was a place I fixated on in dreams of a perfect childhood and it stood before my eyes not only flawed, but also hollow and impenetrable. It was clear that I was other, separate, that I would never be able to share a connection to this place except in my vague memories. At the same time, I couldn’t help but feeling warmth and nostalgia. For every sight my eyes took in I had ten stories that made me smile.

     The series of photographs entitled "Not Here", is an attempt to convey this duality of emotions. By manipulating the plane of focus I create scenes that have little to do with what is before me. The landscapes that result are a compromise between my memories of the place and the actuality of the place in present tense.
 

Lauren's work can be seen on her flickr account at www.flickr.com/photos/no-ell